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Webmagazine and record label on underground house music & contemporary jazz. We're about music released by independent artists and labels.

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Daily Magazine on Underground House Music, Broken Beat, Contemporary Jazz & Soulful Vibes

noname: room 25

Francisco Espregueira

Noname, the hypnotic rapper from Chicago, is among the best young artists coming from the US these days. Actually, she’s more than a rapper. She’s a groovy poet. On Room 25, she unloads it all - joy, pain, and stress - in a breathless, ruminating flow that requires deep listening to fully absorb.

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afro cuban all stars: a toda cuba le gusta (remastered)

Francisco Espregueira

Ever since its release in 1996, Buena Vista Social Club has played an integral role in reintroducing the world to Cuban music. But while it’s a crucial entry in Latin music history, the story of Buena Vista Social Club actually begins with a different album — A Toda Cuba le Gusta, by the Afro Cuban All Stars and a legendary two-week recording session in Havana.

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amaro freitas: rasif

Francisco Espregueira

In the sweltering North-Eastern Brazilian state of Pernambuco lies the coastal city of Recife, where Amaro Freitas is pioneering the new sound of Brazilian jazz. Amaro’s heavily percussive approach to jazz, exemplified on Rasif, is as indebted to these Pernambuco traditions as it is to Coltrane, Parker and Monk.

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kamaal williams: nights in paris / kamaal vs. wu-tang (snips re-edits)

Francisco Espregueira

Last May Kamaal Williams released the fantastic The Return, a vast ten-track recording of ‘70s-inspired funk-fusion, electronic bounce, straight-ahead jazz, and atmospheric keyboard solos. Yesterday two new projects came out: Nights in Paris and Kamaal vs. Wu-Tang - a mix of The Return’s tracks with Wu-Tang Clan classics made by the prominent british DJ Snips.

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summers sons & c. tappin: uhuru

Francisco Espregueira

The partnership between Summers Sons and the vocalist and pianist C. Tappin has its first album coming out by the end of this summer. The Uhuru project started back in 2015 and after three years of channeling that vibe into beats and bars, it is with pleasure that we welcome its jazzy textures and superb levels of hip hop flow.

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